NaNoWriMo is National Novel Writing Month (November) and the goal is one novel of 50,000 words in 30 days.
Thanks to NaNoWriMo — I just passed 50,000 words in 25 days! 50,672, so far.
Tevye and The Streets of Gold (the sequel to Fiddler On the Roof) is well on its way to a becoming a finished First Draft. I’ll be assembling my submission kit package this weekend to set about finding an agent and a publisher.

A novel — and the sequel to Fiddler On the Roof
My novel’s been keeping warm on the back burner for some time now — 10 years, to be exact. Combine three years of research, slowly stir in one year of story development mixed with the Dramatica Pro software treatment, knead together and let simmer with procrastination for six years and you have the recipe for — um, well… a 10-year outline!
But… mix in one month of NaNoWriMo and you have a Recipe for Success!!
It’s Day 25 and I just surpassed the 50,000 word milestone!
Judging by where I am in the story, I’m somewhere between 40% and 60% finished… my completed novel should weigh in at 75,000 to 125,000 words. Which means I’ll still be writing three to four weeks from now (late December 2009). But the good news is this: my First draft is pretty solid, so there should only be minimal editing/re-writing to get to a completed manuscript.
Some of you who have been following this process know I’ve been planning a three-pronged approach:
1. write the novel — Tevye and The Streets of Gold.
2. write and perform a solo stage presentation — Tevye! The One-Man Show.
3. write and produce the fully-staged musical — Fiddler in America.
I’m going to be in pre-production for the one-man show while I’m in the process of finding an agent and a publisher for the book. I plan to begin performing this show this winter in smaller venues here in the Twin Cities and beyond.

Kevin Norberg as Tevye — the world's most famous Milkman!
But once I locate a publisher and begin negotiating a contract, the goal is to release a national tour of the one-man show to coincide with the publication of the novel. We’ll map out thirty cities or so for the solo performance in larger venue theaters. And I’ll be developing and producing a multi-media presentation to complement and accompany the one-man performance. We’ll use multiple screens with stills, graphics and images including panoramas of streets scenes, city skylines and set backdrops to visually enhance the one-man performance and make it into an event!
Ideally, the smaller venue performances will take place in the winter, spring and summer of 2010, while the larger venue production of Tevye The One-Man Show will roll out with the publishing of the novel in the Fall of 2010.
The third phase will then be to complete the script and compose/arrange the music for the fully-staged musical FIddler in America for Fall 2011 in a regional theater somewhere.
So there’s my battle plan for The Tevye Project. You can read more about the entire project here: http://www.TheTevyeProject.com
and on the novel and NaNoWriMo here: http://www.nanowrimo.org///eng/user/553371

Tevye! The One-Man Show poster
By the way, some interesting things happened along the way on my writers journey… my characters surprised me by some of their actions!
I had a pretty complete outline for the main plot points and sub-plots, the characters involved, etc.. But once I turned the characters loose and they began to interact with one another on their own, they did some unexpected things.
One sequence involved Tevye’s youngest daughter, Bielke, who meets a rich, Uptown bachelor. I had already sketched out where their meeting would take place. But she and another character did something so unexpected that it completely changed the way her romantic interest meets her and reacts to her. It was totally appropriate to her character and to the story. But it wasn’t something I even remotely considered when plotting the story. Now my novel is many times the richer because of what she did and how he reacts to it.
Three benefits resulted from this unexpected occurrence:
1. The reader is surprised by what happens, because the characters themselves are surprised by their own actions;
2. The characters become richer and deeper, more three-dimensional, as a result; and
3. Because the characters acted unpredictably, the reader moves on with the story not knowing what to expect next!
Very cool!
I’ve gotten to the point in writing that I can’t wait for the next scene to unfold, because I, myself, can’t be sure what the characters in my novel are going to say, nor do I know everything they’re going to do until I put them together, turn them loose, and begin writing what happens!
This being my first novel, I didn’t know that would happen. It’s made the process of writing so worthwhile and the journey thrilling! I guess if the novel becomes a “page-turner” for the author, then maybe it has a better chance of being “unputdownable” for the reader, as well!
So, enough celebrating the 50k hurdle. On with the next 50k!!…
—Kevin Norberg
author, Tevye and the Streets of Gold / Fiddler in America